![]() ![]() Far from being a monosyllabic moping ghoul, as some of his music might suggest, Smith is animated, thoughtful, funny and charming. I have to remind myself that this is a songwriter who has made his millions fetishing alienation and depression that he's the patron saint of ledge-jumpers and wrist-slitters. It's impossible to hear Robert Smith's voice without picturing his famous look: his skin white as paper his thick black hair back-combed into a gravity-defying rat's nest his lipstick smudged like the world's sloppiest kisser his eyed panda-ed with kohl his body soft and rounded, as if someone had slightly over-inflated him with a bicycle pump.īut the longer I talk to him, the more this image fades. "After 15 years, it's about time, really, isn't it?" "I'm really looking forward to coming to play in New Zealand again," he says, though he admits the decision to tour here had little to do with the internet petition instigated by two New Plymouth fans. Now 48, the so-called Godfather of Goth sits nursing a cup of tea, and he talks to me for well over an hour as his childhood sweetheart, Mary, sleeps in the next room. It whispers and sighs, like nature's own lullaby, but Smith is wide awake. It's three in the morning on England's south coast and The Cure's Robert Smith is sitting in his living room, staring out into the inky blackness towards an ocean that he can hear but cannot see. Grant Smithies talks to The Cure's Robert Smith, and finds the godfather of goth is animated, thoughtful, funny and charming - and obsessed with life. ![]() ON TOUR: Robert Smith says a petition to get The Cure to New Zealand had little to do with a tour announcement: 'After 15 years, it's about time, reallyk, isn't it?'.
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